Dr. Peter Simon, Michael and Sonja Koerner President & CEO
Tony Flynn, Chief Operating Officer
James Anagnoson, Dean, The Glenn Gould School
Susan Cook, Director, The Royal Conservatory School
Shaun Elder, Executive Director, Learning Through the Arts®
Brenda Gardiner, Chief Financial Officer
Sarah Irwin, Chief Digital Officer
Mervon Mehta, Executive Director, Performing Arts
Meghan Moore, Vice President, Business Development
Elaine Rusk, Vice President, The Royal Conservatory Certificate Program
Barry Shiffman, Director, The Phil and Eli Taylor Performance Academy for Young Artists; Associate Dean, The Glenn Gould School
Shawn St. Michael, Vice President, Institutional Advancement
Dr. Peter Simon has served as President of The Royal Conservatory since 1991. During this time, he has overseen a dynamic transformation and dramatic expansion of this venerable Canadian institution founded in 1886.
When first appointed President, Dr. Simon sought to create a climate in Canada in which the arts were broadly recognized as an important means of furthering the personal, intellectual, and social development of all people. He firmly believes arts activities are the best means available to foster creativity and innovative thinking in all areas of endeavour, making them an indispensable element in the future social and fiscal success of our nation. Ultimately he seeks to promote a society in Canada in which the arts are a central part of the daily lives of all people and viewed as an integral element of a fulfilled life. He established The Royal Conservatory mission: to develop human potential through leadership in music and arts education.
With this expanded mission in mind, Learning Through the Arts® (LTTA) was founded as a new division of The Royal Conservatory. LTTA is a landmark educational initiative that places the arts at the centre of public education and creates a systematic means by which teachers use arts-based techniques to instruct the core curriculum. This pioneering program has now reached over 375,000 students and teachers in Canada and has been exported to over a dozen other countries around the world Inspired by the success of LTTA in Canada, Prince’s Charities Canada, which supports the Canadian charitable work of His Royal Highness The Prince of Wales, has arranged to have the program brought to the United Kingdom.
The Royal Conservatory’s acclaimed early childhood music education programs were similarly conceived. Based on the latest findings in early childhood development, The Royal Conservatory’s Smart Start and Head Start programs incorporate the use of movement, singing, instruments, games, and positive experiences that foster and nourish children’s sensory ability, as well as their cognitive, emotional, and motor capacities.
The Glenn Gould School (formerly called The Royal Conservatory of Music Professional School) was launched by Dr. Simon in 1997. It has become Canada’s leading training centre for highly-gifted young musicians. Named in honour of The Conservatory’s most acclaimed alumnus, The Glenn Gould School has emerged as one of the most forward-looking and innovative music schools in the world today.
Dr. Simon transformed The Royal Conservatory Examinations, vastly improving and expanding the curriculum, resulting in a substantial increase in the number of examinations given and candidates served. Beginning in 2003, a focused expansion of the Conservatory curriculum was launched into the United States where 100 examination centres now provide over 8,000 examinations to American students annually.
The Frederick Harris Music Co., Limited, a wholly owned subsidiary of The Royal Conservatory, and the exclusive publisher of all Royal Conservatory books, has grown substantially during Dr. Simon’s tenure. Today it is Canada’s largest print music company and publishes works by many Canadian composers.
Dr. Simon undertook the revitalization and expansion of The Royal Conservatory’s Toronto home into the heart of creative education for the nation and a vibrant cultural destination, creating the technologically superb TELUS Centre for Performance and Learning. This extraordinary initiative included the full restoration of the magnificent historic Ihnatowycz Hall, Mazzoleni Concert Hall, and an array of new learning and performance spaces, as well as stunning Koerner Hall which has brought the greatest international artists to perform at The Royal Conservatory and interact with students and audiences.
In 1992 Dr. Simon established The Royal Conservatory’s first Development Department. More than $200 million has been raised since this time and endowments have increased nine-fold.
As a result of all of these initiatives, the number of people across Canada and around the world who learn through Royal Conservatory programs has increased dramatically and now reaches well over 500,000 individuals annually.
Dr. Simon began his relationship with The Royal Conservatory as a student of Boris Berlin. He went on to study at New York's Juilliard School and in London with Louis Kentner. In 1983, Dr. Simon received a Doctor of Musical Arts Degree from the University of Michigan in Ann Arbor studying with the legendary pianist and conductor Leon Fleisher. He subsequently divided his time between performing, teaching at the University of Western Ontario, and overseeing the artistic direction of Preview Concerts in Toronto.
In 1986, Dr. Simon joined The Royal Conservatory as Director of Academic Studies where he was instrumental in planning and implementing a series of post-secondary programs, which led to the rebirth of The Royal Conservatory of Music Professional School, now known as The Glenn Gould School. He also instituted regular classes by internationally acclaimed artists including Leon Fleisher and Jaime Laredo and supervised the compilation, editing, and recording of the Celebration Series of piano publications which have been used by hundreds of thousands of Canadians.
In 1989, Dr. Simon was appointed President of the Manhattan School of Music in New York City, where he initiated several key projects. In the area of programming, he introduced the first Master of Music Degree Program in Orchestral Performance in the United States and appointed the concertmaster and principal players from the New York Philharmonic as members of the faculty. Dr. Simon’s contribution to the school also extended to the area of fundraising, where he persuaded internationally acclaimed artists such as Victoria de Los Angeles and Shura Cherkassky to give benefit concerts. Under his leadership, the Manhattan School of Music began a physical plant renovation program and introduced new promotional materials and activities that led to a significant increase in the number of annual applicants.
Dr. Simon chaired the Arts Education sub-committee of the Minister’s Advisory Council for Arts and Culture, an agency of the Ontario Ministry of Culture. He was honoured by the Salute to the City awards for his contributions to education in Toronto and has received an Urban Leadership Award from the Canadian Urban Institute.
In 2006, as part of a series of special events commemorating the 50th anniversary of the Hungarian Uprising, Dr. Simon was acknowledged as one of 50 prominent Hungarian-Canadians whose contributions to creativity and innovation in Canada were celebrated.
Dr. Simon is married to the Canadian pianist Dianne Werner. They have two children, Nicole and Justin.
Tony Flynn joined the Royal Conservatory in September 2008 as Chief Financial Officer and was appointed Chief Operating Officer in May 2013. He is responsible for the overall performance of the organization, developing a strong management team and ensuring that each operating division achieves its goals.
Over his thirty year career, Mr. Flynn has been successful in several industry sectors and held chief operating and senior financial management roles, both in Canada and internationally, leading organizations through cultural change and performance improvement. Among his previous roles, he was Executive Vice-President Overseas Operations at Harlequin Enterprises Limited leading to record profitability a portfolio of twenty-one subsidiaries, joint ventures and licensees operating in Europe, Asia, Australia and South America. He was also Chief Financial Officer of Royal Trust.
Mr. Flynn is a Chartered Professional Accountant and holds an MBA from the University of Toronto.
James Anagnoson, Dean of The Royal Conservatory’s Glenn Gould School, is one of Canada's best-known pianists and pedagogues. He has been on the piano faculty of the GGS since its formation in 1987, and has also taught at the University of Toronto and the University of Western Ontario.
Mr. Anagnoson’s students have won prizes in International Competitions such as the Maria Canals, the International Franz Liszt, the Gina Bachauer, and the Dublin International competitions, and repeatedly are prizewinners in Canada’s National Competitions such as the Canadian Music Competition and the Toronto Symphony Competition. He has given master classes in various parts of Europe, North America, and Asia, and he has been a juror for competitions such as the Dublin International Piano Competition, the Hong Kong International Piano Competition, the Canadian Chopin Competition, the Prix d'Europe, the International e-Competition, the Toronto International Piano Competition, and the Toronto Symphony Orchestra Competition.
In 1976, James Anagnoson began performing with Canadian pianist Leslie Kinton. The duo Anagnoson & Kinton received unanimous acclaim from both audiences and critics and went on to perform more than 1000 concert appearances around the world. The duo has been heard in concerto appearances with Canada's leading orchestras, and they have recorded 10 CDs which are played regularly across Canada, the United States and Europe. Anagnoson & Kinton have also performed for the BBC, Czech National Radio, Hong Kong Radio, Hilversum Radio in Holland, and radio Suisse Romande.
James Anagnoson has been heard nationally on the CBC radio as a guest host on The Arts Tonight, and as a piano commentator for both the Esther Honens International Piano Competition and the CBC Young Performer's Competition.
Mr. Anagnoson received his Master's degree from The Juilliard School, and his Bachelor's degree from the Eastman School of Music, which he attended on scholarship.
Susan has more than twenty years of experience in the area of arts administration. Her career began in the Chicago area where she has held multiple positions at the Merit School of Music, Sherwood Community Music School at Columbia College Chicago, and Midwest Young Artists.
Most recently Susan served as Dean of Programs, Merit School of Music, with tenure of close to fifteen years. She also served as Director of Bridges: Partners in Music and Faculty Development, and the Director of the Tuition-free Conservatory. Under her leadership Susan implemented a shared vision with program staff; strengthened programming by establishing a full continuum through all aspects of Merit’s instruction, implemented more professional development for faculty and staff, created department chairs for all aspects of programming, implemented the A.N. and Pearl G. Barnett Chamber Music Competition in the spring of 2013, provided increased access to students in off-site programs to attend Merit’s main facility in downtown Chicago, and worked to strengthen communication with staff, parents, students, and donors by creating a weekly newsletter and creating clear processes for all aspects of programming.
In addition Susan has retained an active teaching and playing career as a classical saxophonist. She received her Masters of Music Performance from Northwestern University, and Premier Prix du Saxophone at the National Conservatoire of Bordeaux. Susan also served on the faculty of DePaul University from 1994-2014 and Carthage College for a period of seven years. Susan has toured with the Chicago Symphony Orchestra under Riccardo Muti, and performed with many of Chicago’s premiere orchestras including Grant Park Symphony Orchestra, Joeffrey Ballet, Chicago Opera Theatre and others. She has been the recipient of numerous grants and awards including The Canada Council and Saskatchewan Arts Board and was the first saxophonist to receive the Grand Prize in Canada’s National Music Festival in 1987.
Shaun Elder has been associated with The Royal Conservatory of Music since 1994 and has worked in a variety of roles, including strategic planning, fundraising, government relations, and technology development. He served as The Conservatory’s first director of development after its separation from the University of Toronto in the early 1990s and initiated successful campaigns to reconnect with Conservatory alumni across Canada, and also to support the restoration of Mazzoleni Hall.
Shaun played a key role in securing government operating funding for The Royal Conservatory’s Glenn Gould School. This led to a role in government relations and grant proposal development in support of various Conservatory initiatives, including efforts to secure funding for the launch of The Conservatory’s Learning Through the Arts Youth Empowerment Program in Fort McMurray, Alberta.
Since 2002, Shaun has led a series of technology initiatives, beginning with a project that digitized a number of successful Learning Through the Arts lesson plans, and then the development and testing of a pioneering music creation software prototype, Sequer. In 2012, Shaun released an app that allows piano students and listeners to remix famous works in the classical piano canon. The app attracted positive reviews from leading reviewers, including The Music Void, who described it as “breaking new ground.”
In his leadership mandate with Learning Through the Arts, Shaun’s expertise in app development, institutional advancement and strategic planning will help him guide the evolution of the LTTA program within the burgeoning market for digital learning resources and tools in schools.
A composer and violist, Shaun completed the Orchestral Training Program at The Royal Conservatory after earning a BA in Philosophy at University of Toronto. His music for harp, guitar, and piano has been heard on CBC and National Public Radio.
Brenda Gardiner joined The Royal Conservatory in August 2016 as Chief Financial Officer. Brenda is responsible for all facets of financial management including treasury, internal control, accounting and reporting.
Brenda is a seasoned financial professional who brings a strategic focus and drives excellence and accountability in process and performance in the finance and operations fields, leveraging experience gained in positions of increasing responsibilities in organizations such as Hill + Knowlton, GCI Communications, Ryder Logistics and Transportation and Metro Newspapers Canada.
While at Hill + Knowlton and GCI (both part of the WPP global network), Brenda successfully ensured compliance with the Sarbanes Oxley framework and implemented process and procedure enhancements while upgrading the accounting and finance team.
Prior to joining GCI, Brenda was Director of Finance and CFO of Metro News Canada where she was an integral part of the leadership team and instrumental in launching Metro into new markets, building the finance team and analyzing potential acquisitions.
During her twelve years at Ryder, Brenda advanced through the finance organization to the position of CFO of both the Canadian logistics and transportation operations where she participated in the formulation of corporate strategy, gained proficiency in reporting under both Canadian and US GAAP and provided critical support to corporate development and mergers and acquisitions.
Brenda is a Chartered Professional Accountant and holds an MBA from Laurentian University.
Sarah Irwin is an accomplished business leader with more than 25 years of public service, education and cultural sector experience.
As Chief Digital Officer for The Royal Conservatory of Music, Sarah is responsible for developing and overseeing the corporate-wide digital strategy which includes the Digital Learning Division (which she established), Information Technology as well as the corporate website and digitally-focused projects and initiatives.
Prior to joining The RCM, Sarah was the Managing Director of the Independent Learning Centre of TVOntario, where she converted the Province of Ontario’s designated provider of distance education into a highly sought-after resource through leveraging digital technology to enhance the learner experience, the result of which was a 40% increase in enrolments over 8 years. The ILC won an Interactive Media Award as well as a Canadian New Media Award for Excellence in Learning in 2007 and in 2011, an IMA (Interactive Media Award) recognizing the ILC for Outstanding Achievement in education category. In addition to running the Independent Learning Centre, Sarah also created and oversaw the development of a highly innovative and successful online math tutoring resource known as HomeworkHelp.org, developed for the Ontario Ministry of Education and available to students in grades 7 to 10 across the province.
Prior to joining TVOntario, Sarah was with the Canadian Broadcasting Corporation where she held a number of successive positions, including Manager of Marketing and Sales in the International Sales division, and Program Acquisitions Officer.
Sarah earned an M.Ed. from the Ontario Institute for Studies in Education, University of Toronto, an MBA from Athabasca University’s Centre for Innovative Management, Certificate in E-Learning from University of Toronto’s School of Continuing Studies, and a B.A. from Glendon College, York University.
Mervon Mehta’s career in the arts has seen him on both sides of the curtain. A student of the late Sanford Meisner, Mehta has performed as an actor in over 100 theatrical productions, including residencies at the Williamstown Theatre Festival, The Citadel Theatre in Edmonton, and two seasons at the Stratford Shakespeare Festival. He was a founding member of the Neighborhood Group Theatre in New York City, and has appeared on the stages of the Court, Steppenwolf, and Apple Tree theatres in Chicago. He has made several appearances on television and in films.
In 1994, Mehta put his theatrical career on ‘temporary’ hold and joined the Ravinia Festival in Chicago as programmer for their pop concert series. In 1998, he became Director of Programming and added the title of Director of Production in 2001. During his tenure, Ravinia hosted 120 concerts each summer, including 20 concerts by the Chicago Symphony Orchestra, and presented an international roster of classical, jazz, world music, country, pop, and music theatre artists.
In February of 2002, Mehta was named the first Vice President of Programming and Education at the Kimmel Center for the Performing Arts. Under his leadership, the Kimmel Center brought an array of talent across many genres of music to Philadelphia. Diverse artists such as Caetano Veloso, Mariza, and Ravi Shankar; great orchestras from Berlin, Vienna, Boston, Chicago, and New York; recitals by Lang Lang, Yo-Yo Ma, and Renée Fleming; the Alvin Ailey, Garth Fagan, and Urban Tap dance companies; and jazz artists including Oscar Peterson, Ornette Coleman, Wynton Marsalis, and a six-year, 30-concert relationship with Panamanian jazz pianist Danilo Pérez.
Since April of 2009, Mehta has been the Executive Director of Performing Arts for The Royal Conservatory. He oversaw the launch of Koerner Hall and is responsible for programming Koerner Hall’s successful series of classical, jazz, world music, and pop concerts, as well as overseeing all of the other performances and events throughout The Conservatory’s home at the TELUS Centre for Performance and Learning.
He has served the arts community in various capacities, including acting as co-chair of the International Society of Performing Arts Congress in Toronto; as a juror for the Juno Awards and the OSM Concours; and as a grant adjudicator for the City of Toronto, the Toronto Arts Council, and the Ontario Arts Council. He also serves on the board of Intercultural Journeys in Philadelphia and is a member of the Toronto Music Advisory Committee.
Mehta still appears on stage frequently as a narrator of orchestral works. He has performed with top orchestras in Munich, Monte Carlo, Los Angeles, Ottawa, Chicago, Houston, Budapest, and Lisbon; and at the Festival de Radio France and the Maggio Musicale Fiorentino in Florence, Italy, under the batons of Christoph Eschenbach, Lawrence Foster, and Zubin Mehta.
He was born in Vienna, Austria, and grew up in Montreal. He is the son of singer Carmen Mehta (a Royal Conservatory alumna) and conductor Zubin Mehta, and is married to Carey Suleiman, an arts marketing consultant. They have a son named Zed.
Meghan Moore is a knowledgeable and innovative cultural leader with ten years of experience in strategic planning, project management, and research and analysis in the public, academic, and private sectors.
Meghan began her career in culture policy, applying her strategic management skills as a Policy Advisor in the Strategic Planning and Policy Unit in the province of Ontario’s Ministry of Tourism, Culture and Sport, and later as a Cultural Development Officer in the Economic Development & Culture Division at the City of Toronto. At the City of Toronto, she capitalized on her ability to bridge the worlds of non-profit and for-profit arts. Her work on “Creative Capital Gains: An Action Plan for Toronto,” a report which she co-authored as part of the City’s 2011 update to its cultural plan, resulted in an increased investment of $6 million for arts and culture in the city.
Meghan was a founding member of Brainmaven, a Toronto-based start-up focused on collaborative research and innovation. As Vice President of Business Development and Human Resources, she consulted with such clients as TVOntario, TIFF, The Stratford Institute, Corus Entertainment and Rotman Executive Programs, and also oversaw the design of digital tools to facilitate collaborative innovation. While at Brainmaven, she co-authored two reports evaluating provincial governments’ eGovernment and Open Government initiatives which were featured as part of the 2012 Canadian Digital Media Network’s Canada 3.0 conference.
In her undergraduate career, Meghan studied music cognition and researched the effects of music on the brain. She was the recipient of an NSERC research grant to work with Daniel Levitin at McGill University. It was this early interest in the effects of music and the brain that contributed to Meghan's desire to work at the intersection of culture, business and society.
Meghan earned an MBA (Dean’s List) from York University’s Schulich School of Business with a graduate diploma in Arts & Media Management. She attended the University of Toronto as a Loran Scholar where she earned a Bachelor of Music Education (Honours) and Bachelor of Science.
Elaine Rusk is a well-respected business leader, with more than fifteen years of experience in all aspects of The Royal Conservatory’s academic and publishing divisions.
As Publisher of the Frederick Harris Music Company, Elaine oversaw the publication of the organization’s flute, guitar, and voice series, as well as the award-winning Celebration Series for piano. In a less than three-year period, she led the development and launch of repertoire, etudes, orchestral excerpts, and technique books and recordings for six new instrumental series including cello, clarinet, viola, violin, saxophone and trumpet. Elaine is key to the development of new digital initiatives underway at The Royal Conservatory.
In addition, Elaine has more than forty years of experience as an independent studio teacher, specializing in piano and theory. During her ten-year tenure as Music Director at Knox Presbyterian Church in Milton, Ontario, Elaine directed the chancel choir, a children’s choir, and a four-part men’s choir.
Elaine is an active contributor to the local, regional, and national musical community. She is a member of The Royal Conservatory College of Examiners, and has travelled across North America on its behalf. Elaine is also an active performer, accompanist, adjudicator, and guest lecturer on piano pedagogy.
Elaine graduated summa cum laude with an honors Bachelor of Music in History, Theory, and Performance from McMaster University in Hamilton, Ontario and holds a Master of Arts in Music Criticism from the same university.
Barry Shiffman, Director, The Phil and Eli Taylor Performance Academy for Young Artists; Associate Dean, The Glenn Gould School
Barry Shiffman joined The Glenn Gould School as Associate Dean and Director of Chamber Music in September 2010. He comes to The Royal Conservatory of Music from The Banff Centre, where he has served as Director of Music Programs and Executive Director of the Banff International String Quartet Competition since 2006. He also serves as Executive Artistic Director of Vancouver's Music in the Morning Concert Society.
At The Banff Centre, Mr. Shiffman revitalized existing music programs and launched major new initiatives in chamber music, orchestral studies, popular music, and jazz. Under his direction, the music program of The Banff Centre also became one of western Canada's largest presenters of contemporary works.
Through Mr. Shiffman’s leadership of the Banff International String Quartet Competition, it has grown to include career development, outreach, and commissioning programs, along with a program to nurture the talents of young artists. Its endowment has doubled, and Mr. Shiffman has played an active and ongoing role in major gift fundraising and stewardship.
Beyond his achievements as an administrator, Mr. Shiffman has also had a rich and varied career as a performer and recording artist. Debuting with the Toronto Symphony Orchestra at the age of 15, he has appeared with orchestras and in recital throughout North America, Europe, and Japan.
In 1989, Mr. Shiffman cofounded the St. Lawrence String Quartet through a joint program of The Royal Conservatory of Music and the University of Toronto. During his 17 years with the Quartet he appeared in over 2,000 concerts in venues around the globe and recorded several critically acclaimed discs under an exclusive contract with EMI Classics.
In addition to performing and recording, Mr. Shiffman is a sought-after violin and viola teacher and chamber music coach. He is the recipient of the Nadia Boulanger Prize for Excellence in the Art of Teaching awarded by the Longy School of Cambridge, Massachusetts. He served as artist-in-residence at Stanford University from 1998 to 2006 and as visiting artist at the University of Toronto from 1995 to 2006. In 2009, he received an honorary doctorate from the University of Calgary.
Shawn St. Michael is the Vice President of Institutional Advancement at The Royal Conservatory where she oversees the management of board relations and the execution of fundraising initiatives, including the Growing Greatness Campaign.
Prior to joining The Royal Conservatory in mid-2013, Shawn served as Executive Director, Development for the Art Gallery of Ontario, where she oversaw the evolution in the organization’s fundraising and advancement program, rooted in an ambitious strategic plan related to the AGO’s major reconstruction. As the campaign director for Transformation AGO, Shawn played a key role in an ambitious, complex project that included significant capital and endowment targets. Campaign goals were achieved, and then surpassed, in advance of the public opening in 2008.
Transformation AGO is heralded as the most successful cultural campaign in Canadian history, having raised $306M. Also under Shawn’s leadership, the organization introduced new and innovative methods to generate support, including a multi-year corporate partnerships program, a number of new signature special events, a range of affinity programs including a Young Patrons membership group, as well as the launch of the campaign for the new Weston Family Learning Centre. During her tenure from 1994 to 2013, the AGO’s annual development revenue grew by a remarkable 700 percent, and the organization’s stature as a leader and innovator among North American art museums was firmly established.
As Director of Development for the Stratford Festival from 1990–94, and earlier as Manager, Corporate Funding and Senior Development Officer, Shawn implemented a sophisticated organization structure to enable the Festival to reach its full potential. She engaged volunteers to play a more active role in fundraising, embraced and harnessed the power of technology to support development efforts, and created unique donor partnerships. Through her management and resourcefulness, Shawn laid the groundwork for capital and endowment campaigns that would significantly enhance Stratford’s profile as North America’s leading classical theatre.
Shawn was the first Canadian to be appointed president of the Art Museum Development Association in that organization’s then 40-year history, and in 2011 hosted its first annual conference in Canada. In 2009 she was awarded the Association of Fundraising Professionals’ Outstanding Fundraising Award for the many contributions she had made throughout her career to AFP’s Toronto Chapter, the largest chapter in North America. Shawn is active in her community and supports a variety of international development, healthcare, and arts organizations.